But Penny Fleck might not have been telling the truth, given the Fleck family propensity to imagine things that haven’t taken place). With Joker, Phillips already toyed with the idea of Bruce Wayne’s origins (a letter written by the mother of Arthur Fleck, aka Joker, implies that the two are half-brothers. But its $60 million budget is far less than those previous films, so it is almost assured of generating profits of more than $500 million (Warners has a 50 percent stake, while Village Roadshow and Bron Studios each have 25 percent). Joker marks the fourth DC title to cross $1 billion, following in the footsteps of 2018’s Aquaman ($1.15 billion), 2012’s The Dark Knight Rises ($1.08 billion) and 2008’s The Dark Knight ($1 billion). The studio and Phillips’ reps at CAA declined to comment. Warners has sequel options in place for Joker star Joaquin Phoenix, who has emerged as a strong contender in the Oscar best actor race. ![]() As the movie keeps raking in money overseas, Phillips is in talks to reprise his role as director for a second Joker outing (he and Scott Silver, who penned the gritty Joker screenplay, will write the follow-up), THR has learned. And now that Joker has crossed the $1 billion mark, a sequel is on the way. But Phillips did emerge from the meeting with the rights to at least one other DC story, sources say. And all other DC deals have been for one film, and one film only.
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